Network [Blu-ray]

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Despite these aspects, which ultimately highlight the production context, The Owl Service is impressively rich in its themes and visual composition. As mentioned, there are clashes of class and culture, as well as generations and gender. Though often referenced, Alison’s mother Margaret never appears on screen, her significant absence is felt through artefacts that she leaves indicating her influence and everyone’s concern about her getting upset. Gwyn at one point corners Alison in a summer house in a frankly creepy and unsettling sequence. Roger and Gwyn are both seen weeping but in different situations – Roger alone in a corner but surrounded by images of his father; Gwyn on the stairs of the house which prompts Roger’s contempt. Even flower power gets a reference, indicating the cultural upheavals that might seem distant but are nonetheless felt. Interview (SD, 14 min) — This vintage segment from the TV show 'Dinah!' shows an interview with Paddy Chayefsky by Dinah Shore. It's an interesting discussion about writing the script, his inspirations and intentions. Behind the Story (SD, 85 min) — This six-part anniversary retrospect is easily the centerpiece of the entire collection, covering all the major aspects of the film. The documentary commences with interviews of producer Howard Gottfried and director Sidney Lumet about Paddy Chayefsky's script, influences and origins, and how Lumet became involved ("The World and Words of Paddy Chayefsky"). This is followed by a look at casting and the characters, where Faye Dunaway, Ned Beatty, Kathy Cronkite and Lance Henriksen do most of the talking ("The Cast, The Characters"). Is that Pong? Cos it looks like Pong. You know Pong has already been invented, right? So, you're just gonna steal the idea and make it better? But, it's Pong ....I always liked Stingray alot more than Thunderbirds, but I think Ill wait if they drop the price for standard releases, Ive got the DVD set already and these extras arent really selling it to me, even if the box looks nice, those two movies were just compilations from episodes with some extra effects werent they ? There are a few sequences where the political statements feel a bit dated now, but the dialog is sharp and very witty. The technical jargon also does not alienate, it gives one a real sense of the language and rhythm of work TV professionals are used to. As with all biopic films, The Social Network must be taken with a pinch of salt. It is based on the book, The Accidental Billionaires, by Ben Mezrich, which itself can be taken with the same. And with director David Fincher giving his own interpretation of the screenplay such as the emphasis on the situations that take place, the major events that affected the outcome, or indeed bypassing whole occurrences in favour of drama, the result is a story that, whilst having a basis in fact, has more in tune with fantasy than truth. For more about Network and the Network Blu-ray release, see Network Blu-ray Review published by Dr. Svet Atanasov on March 21, 2015 where this Blu-ray release scored 3.5 out of 5. The disc presents an up-scaled 3840 x 2160p resolution image with widescreen 2.39:1 aspect ratio, and uses 10-bit video depth, High Dynamic Range, a Wide Colour Gamut (WCG) and is encoded using the HEVC (H.265) codec for Dolby Vision and HRD10.

For more about Network and the Network Blu-ray release, see Network Blu-ray Review published by Jeffrey Kauffman on February 15, 2011 where this Blu-ray release scored 4.0 out of 5.Booklet featuring an article by Barry Forshaw and a short story by Trevor Preston which tells how Frank Ross was arrested eight years prior to the series. Indeed I bought the DVD of Fireball and never got to the end of it and it's a lot better than Supercar. I have a couple of episodes of Supercar on a compilation disc so I have seen it recently. Those few episodes will do me. On a similar note I think the Roberta Leigh series Space Patrol was better than Fireball and I didn't get to the end of my Blu Ray of that either. Though I got a lot through more of them than I did with Fireball. LG 55CX / Denon AVR-X2400H / Q Acoustic 2050's + 2000C + 2070S + 2020's / Sony BDP-S5200 (Region A) / Panasonic DP-UB150 / Nvidia SHIELD 16Gb / Xbox Series X / PS5

Few films resonate with audiences for several generations after their release quite like Sidney Lumet's 'Network.' The film perfectly captures a human attribute born out of modernity which seems universally relevant no matter the age of moviegoers. And today, possibly more than ever, Paddy Chayefsky's eloquent, sharply-written and provocative script still speaks to us with such eye-opening accuracy and insight. 'Network' displays an alien reality with ferocity and urgency, imitating the speed at which the world of TV production moves. People speak at full tilt in a foreign language while major decisions are made within moments, and money is always at the heart of every matter. The only difference between a board meeting and a terrorist organization talking distribution rights is the scenery.The opening shot of the Fireball launch works brilliantly well on a large screen even from DVD. The close up of the nosecone is superb. That scene alone is worth a blu release. Stingray was probably the better show for me with Captain Scarlet being better again. I didn't buy the Captain Scarlet blu or any version of Thunderbirds. Was there ever an affordable Thunderbirds blu in the correct 4/3?